You laugh or you're in awe of something, or it's scary. watch something really memorable, and a lot of that is emotion.
MTV: What's step one when you sit down to cut a preview?īalcomb: What are you trying to convey? Ideally you want someone to. Just because someone is really good at cutting a trailer together, they may not be good at cutting a comedy narrative or something. The more tools in your toolkit, the better your chances of getting a job.ĭodson: Not every director's good at doing every style. MTV: What advice would you give to aspiring trailer editors?īalcomb: I think anyone getting into editing needs to get exposed to as many styles as they can. People start earlier now they’ll get to the college stage and say, "I want to do that for a living." Growing up, I hooked two VCRs up and prayed - but now, if you buy a computer, it has some kind of software.
#The ultimate game movie trailer software#
I think a part of that is how ubiquitous editing software is. MTV: Is what you do an obscure part of the industry, or a growing one?īalcomb: It’s widely sought-after now. They underestimate how much audiences like to be teased. You just see some crazy stuff you've never seen before, and Laurence Fishburne says, "Do you want to see how deep the rabbit hole goes?" YES! YES, I DO!. Like the first "Matrix" trailer - there's very little information told in the first trailer. MTV: Which classic trailers would you say were effective with "less is more"?īalcomb: There were some trailers that really got it right in the late '90s and early 2000s.
The studios need to pack in as much information into the trailer as they can, just to make it a marketable product, but unfortunately it spoils the experience for the audience. They're not limited to 30s or 60s like they were 10 years ago.īalcomb: There’s a lot more pressure on francise-building now, where they don't just have to sell the movie to the audience they’re appeasing their investors by showing every character that people might buy as toys and action figures. I don’t remember older trailers being three to four minutes, but now they're trying to fill up all this airspace. So the film’s plot is now ruined, or can be. That would ruin movies by explaining the plots, but now they're ruining it because they want to pick the biggest shots - the money shots, the special effects shots that may show a main character getting killed off - in the trailer because that’s an excitement moment. MTV: Trailers used to have fewer spoilers, right? We're not imagining that?ĭodson: I definitely agree, but older trailers, even before the "in a world." guy, they'd have like the "South Park" Rob Schneider : "Rob Schneider's just a regular guy - until one day, he's about to find out he's a stapler." Dodson and Balcomb broke down the most spoiler-y previews lately, and which others serve as good examples for studios to follow.
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